On this day in New York · June 21, 1948
Columbia Debuts the Long-Playing Record
At the Waldorf Astoria, a Columbia Records executive held up an armful of new discs next to an eight-foot tower of old ones and told the press the 78 was finished.

The facts
- Date and place
- June 21, 1948, press conference at the Waldorf Astoria hotel, Manhattan
- Format
- 33 1/3 rpm microgroove disc pressed in Vinylite, replacing the shellac 78
- Playing time
- About 25 minutes per side, up from under five minutes on a 12-inch 78
- First release
- ML 4001: Mendelssohn's Violin Concerto in E minor, Nathan Milstein with the New York Philharmonic under Bruno Walter
On June 21, 1948, Columbia Records introduced the long-playing record to the world at a press event in the Waldorf Astoria hotel in Manhattan. The new discs were pressed in a nearly unbreakable vinyl called Vinylite and spun at 33 1/3 rpm instead of the standard 78, packing about 25 minutes of music onto a single side instead of under five. The work came out of CBS Laboratories, where chief scientist Peter Goldmark set out to fix something that had annoyed every classical listener in the country: a single symphony spread across five or six records that had to be flipped and swapped every few minutes. Columbia's president, Edward Wallerstein, made the point in person at the demonstration, standing next to a towering stack of old 78 albums while holding only a slim handful of the new records. Inside two years, every major label that had held out, RCA included, switched over.
In their words
The day in the words of the people who were there. Every quote is verbatim, and every source links out so you can check it.
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Gentlemen,what I hold in my hands represents the same amount of music contained in that giant stack of 78s.
Edward Wallerstein, president of Columbia Records, at the Waldorf Astoria press demonstration, June 1948
Source: Mainspring Press
Why it still matters
The LP set the physical shape of the record album for the next forty years, a format built to hold a whole argument instead of one hit, and every album since, on vinyl, on CD, on a streaming playlist, still borrows that container.
Sources
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