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On this day in New York · June 30, 1917

Lena Horne Is Born in Bedford-Stuyvesant

A Brooklyn girl grows up to turn down segregated audiences, refuse the maid roles Hollywood kept offering Black actresses, and own one torch song so completely nobody else could touch it.

Lena Horne Is Born in Bedford-Stuyvesant
Wikimedia Commons / Lena Horne

The facts

Born
June 30, 1917, in Bedford-Stuyvesant, Brooklyn
Parents
Edwin "Teddy" Horne and Edna Horne
MGM contract
Signed with Metro-Goldwyn-Mayer in January 1942
March on Washington, 1963
Spoke and performed on behalf of the NAACP, SNCC, and the National Council of Negro Women

Lena Horne was born June 30, 1917, in Bedford-Stuyvesant, Brooklyn, to Edwin and Edna Horne. Her father Teddy Horne ran a hotel and restaurant, gambled for a living, and left the family when Lena was three, so she grew up shuttled between relatives across the segregated South before coming back to New York to work the chorus line at the Cotton Club as a teenager. Metro-Goldwyn-Mayer signed her in January 1942, a rare deal for a Black performer in that era, and the studio mostly used her to sing a number, then cut the scene for Southern theaters rather than build her a real role. During World War II she toured for the USO and would not perform for German POWs seated ahead of Black soldiers. By 1943 she had the title song in 'Stormy Weather,' and she made it hers for the rest of her life.

In their words

The day in the words of the people who were there. Every quote is verbatim, and every source links out so you can check it.

  1. tired of being typecast as a Negro who stands against a pillar singing a song. I did that 20 times too often.

    Lena Horne, on the string of nightclub-singer cameos MGM kept handing her instead of real roles

    Source: Wikipedia
  2. for segregated audiences or for groups in which German POWs were seated in front of Black servicemen

    From Horne's Kennedy Center biography, describing the USO shows she refused to do during World War II

    Source: Wikipedia

Why it still matters

Horne turned down the parts and the audiences Hollywood assumed she'd take, decades before that kind of refusal was safe for a Black star to make, and Brooklyn gets to claim her for it.

Sources

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