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On this day in New York · December 3, 1947

Brando's Streetcar Rewrites Broadway Acting

A 23-year-old unknown named Marlon Brando pulled on a torn T-shirt at the Ethel Barrymore Theatre and gave Broadway a new way to act.

Brando's Streetcar Rewrites Broadway Acting
Wikimedia Commons / Marlon Brando

The facts

Opening night
December 3, 1947
Venue
Ethel Barrymore Theatre, 243 West 47th Street
Brando's age
23
Broadway run
855 performances, closing in 1949

On December 3, 1947, Tennessee Williams's A Streetcar Named Desire opened at the Ethel Barrymore Theatre at 243 West 47th Street, directed by Elia Kazan and produced by Irene Mayer Selznick. Jessica Tandy played Blanche DuBois, the fading Southern belle who moves in on her sister's cramped New Orleans marriage, and 23-year-old Marlon Brando played her brother-in-law Stanley Kowalski, a role that made him a star overnight. The play was a hit from its first night, standing-room applause and all, and it went on to win the Pulitzer Prize for Drama and the New York Drama Critics' Circle Award. What audiences didn't fully grasp yet, watching Brando mumble and rage his way through Stanley, was that they were seeing the birth of a whole new, rawer style of American acting.

In their words

The day in the words of the people who were there. Every quote is verbatim, and every source links out so you can check it.

  1. In those days, people stood only for the national anthem. That night was the first time I ever saw an audience get to its feet.

    Irene Mayer Selznick, the play's producer, describing the December 3, 1947 opening night

    Source: The Sheila Variations
  2. Tennessee Williams has brought us a superb drama, 'A Streetcar Named Desire,' which was acted at the Ethel Barrymore last evening.

    Brooks Atkinson, The New York Times, reviewing the opening night performance

    Source: The Sheila Variations

Why it still matters

Brando's Stanley Kowalski cracked open the polished, elocuted style that had ruled American stages and pointed acting toward the raw, internal Method that would define film and theater for the rest of the century.

Sources

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